Aw, man! Okay, so…my sleep schedule is bizarre, but maybe it won’t have to be, for much longer. It looks as if the heat wave has broken. Today the skies were gray instead of orange; that is an improvement. I also had to get out of bed in the middle of the night to change clothes, because it was so cold. Right now I’m writing this from bed in full pajamas, because it’s so cold.
Which is weird, when three days ago it seems like it was over 100° F. Right now, it’s 64° F, outside.
And I’m tired, even though I slept over 12 hours. It could be eye strain — I don’t think I’ve had a change in lens prescription in years. (I had to put off an optometry appointment because of the pandemic.) It could also be related to the smoke, or the fact that I am working at night and sleeping through the morning (although I went to bed before midnight last night, and woke up like it was morning, two hours later. Then I conked out at 3:30 and slept into late afternoon). It could also be because I missed the medication that I take for wakefulness…because I slept until 3:30 PM. That’s kind of a Catch-22, isn’t it?
Anyway, my green paints and two new brushes came yesterday! :D I had to limit myself — out of enthusiasm, I have a tendency to overbuy (especially when I can’t see or test what I’m buying)…although now I know that painting is likely a good thing for me.
I have found that art is particularly…what’s the opposite of crazy-making? (“sane-making?”) “grounding?” for me. I’m finding watercolor to be also a relatively rewarding pastime in itself.
For some reason, I’m really into color; I can’t explain why, though…aside from the ability to witness how colors mix and merge. Painting has been an organic outgrowth of drawing, for me. I couldn’t cleanly, densely, and easily mix and dilute colors in drawing (the closest I’ve come to that is with markers), and nor could I have total freedom over the size and shape of my color applicator. That all changes, with painting.
There’s something about the ability to achieve solid blocks of color and fluid gradients, that I really like. Also, the tactile issue is something that my sibling brought up — which could be why I’m not as drawn to computer art. The above swatches (and the little play painting in the corner) were all done with a Neptune #6 round brush. It’s really soft, and holds a lot of water. It will also soak up water if you dry it out a little before touching it to a pool of extra paint on your paper. For most of these, I was using the belly of the brush, not so much the tip.
I haven’t intentionally altered any of the colors here, though the light coming in the window was so yellowish and dim that I had to turn on overhead lighting today (when I took these photos and swatched out the four new greens in the upper right corner).
Right now I have about 45 colors which I’d consider using (there are some in the photo which are used twice). Of those swatched here, I’d eliminate W&N Mars Black (fifth column, third row) as Holbein Lamp Black (third column, seventh row) is smoother; and M. Graham Scarlet Pyrrol (fifth column, sixth row), as it granulates, and is very close to Winsor Orange – Red Shade (second column, third row).
Generally, I tend to prefer paints that have even dispersion and good flow…there are a number of paints I have which didn’t make it to this sheet, because of weird formulations causing a lack of leveling, or poor flow, or grains where I don’t want them, etc. This is just personal preference, however.
Gah, I’m tired. :) (Maybe I can go to sleep and wake up refreshed in 2-3 hours?)
Oh, right. I wanted to show you the Daniel Smith dot card swatches. The below were done with a very small flat…probably a Robert Simmons’ Sapphire, but I’m not sure and am too tired to look, right now. :) You can probably tell that I was tending to use too little water on my brush, for most of these…
I’ve swatched out everything here except for the special colors (like the Duochromes, etc., on the fourth card) and colors which I expressly knew were associated with asbestos (Tiger’s Eye, Burnt Tiger’s Eye [though I believe that in Tiger’s Eye, quartz has replaced the asbestos component], and Serpentine). I did, however, swatch out Kyanite, even though I know it’s fibrous by nature (I am not sure, but I don’t think it’s related to asbestos). I was curious. :)
What I find interesting about a lot of these is that a number of the gem colors (I suspect they’re PrimaTeks) are sparkly — particularly, Sugilite Genuine — though maybe I just got a lucky sample.
If I was going to add to my palette, swatching out both of these was a good idea, to avoid overlaps…a tedious, painstaking, good idea. :) It’s very apparent to me right now that I have a high-key palette going already…so maybe I shouldn’t really worry too much about getting bright colors. (I can always mix them down; there’s also the fact that the paints I’m using often seem to dull as they dry.)
As for the brushes…I ordered two, both Robert Simmons White Sable. One was to replace M’s very old and worn 1/2″ flat, the other was to replace a #8 Robert Simmons Sapphire flat that I killed, somehow. (The ferrule is loose. I only know of one way that would have happened. Never leave your brushes standing in water!)
Okay, I believe…that I am going to sleep now…