Today has been full of organizing things, though most particularly my art stuff. While I was doing that, I found the majority of the 2-D work I did that still speaks to me, was done in ink, or in paint. I also did a major rearrangement of my flat storage and of my bead and craft storage (though I just now realize that I didn’t touch the papercrafting section, or anything that had to do with metalwork).
I’m getting rid of a bunch of art from Community College and before, which isn’t portfolio-quality…and to be honest, I’m not going to miss most of it. Basically, a lot of it just records my growth (or was, at one time, a medium for it), and has been taking up space in my flat storage. Having so much stuff just taking up space, I think, has led me to the point of thinking that I’ve already done what there is to do…which is not a mindset to cultivate, in the Arts.
I realize now that I love color — more than that, I love solid color, and the character it gives things. That seems to peg me as more of a painter than someone into drawing, but as I think I’ve mentioned before, drawing organically led me into painting (as I realized the limitations and encumbrances of drawing, and dry media).
At this point, I’ve got to wonder if transparent watercolor will lead me into acrylic (I’ve done work in both, and acrylic enables more spontaneity, for me, as opacity is achievable). However: gouache is a step between the two (Acryla Gouache moreso), and the working methods between transparent watercolors and gouache aren’t even similar. That is if I could be said to have developed a working technique for gouache, which I’m doubting, at this point.
I’ve decided not to work in oils for now, though water-soluble oil paint would be a first step. (Yes, it exists.)
The thing is, dealing with shape and fields of color, as versus line and mark exclusively, is a newer thing to me than drawing, and so I can start with a drawing and then add color, and the effect is not really like the monochrome that it was before. I’m not entirely sure what to do about this, but I’m thinking it’s a point to grow on. The benefit of using transparent watercolor is that I can still let the underdrawing show through. Gouache doesn’t allow this, unless the painting is approached very delicately, from the start.
In regard to acrylics, though: I’ve also discovered that I have a good number of boards (hardboard, canvas board) to practice on — they just need to be gessoed over, and I can use my acrylic brushes from the Art program. I also have a couple of stretched canvases.
Do I know what to paint? No. I think it will have to develop organically: but I can start with still-lifes of flowers and produce. Or, I could do some throwaway graphite sketches in my cheap paper sketchbook, and see if anything comes up.
I’ve also got to hang a bunch of my work, though. That way, it can stop living on my bedroom table.
Today, I also resolved to make better use of the miniature sets of drawers that I’ve gotten. I’ve re-labeled what I could. I also refilled a couple of pens, which oddly enough haven’t clogged yet from non-use; and generally just put stuff away.
The types of beads which are more useful than others have also been getting clearer to me. For example, I would use Long Magatamas for kumihimo braiding (which is why I originally got them, before I realized that beaded kumihimo is difficult when you don’t know what you’re doing) — or maybe bead crochet (though I haven’t tried bead crochet with Long Magatamas yet); but because their holes are so large, I find them less well-suited for beadweaving, as they remain loose and relatively mobile. Because I dislike the aesthetics there, I may want to move them out of my prime storage areas.
I’ve also realized the utility of cheap paper sketch journals. I have one from a while back which I began to fill with sketches of imaginary flowers, including — I now realize — a set of remembered Alstroemeria sketches (I love Alstroemeria!) with the round and narrow petals reversed. It isn’t that the drawing is aesthetically unpleasant; it’s that it’s anatomically incorrect, like if you drew someone with legs for arms and arms for legs because you were unfamiliar with human anatomy. The people could even seem beautiful to an observer who also didn’t pay attention to human anatomy… ;) …and I’m having flashbacks to the Mannerism topic in Art History…
Probably, though, I shouldn’t let that stop me from drawing. The feeling was there, even if the accuracy wasn’t.
I’m actually kind of surprised at the effect I can get with just a pencil and paper…
I still have a lot more cleaning and organization to do, particularly where it comes to the bedroom and office. I also found a bunch of journals. Apparently I have a trait of making a new journal every time a sufficiently new topic arises. Like, I have a journal for rough drafts of blog posts; I have a journal for note-taking when reading nonfiction; I have a journal on jewelry design ideas, and one on things I learn while making that jewelry, etc.
I should catalog them. :)