We have moved into Week 9 in my class…not a huge deal, but it reminds me that there are only 5 weeks after this, left in the semester! It’s time to start thinking about next semester.
I’ve also found that it is still possible for me to take a Virtual Internship even though I’ve already graduated: one of the articles I’ve just read (extracurricular) says that as much or more could be learned through internships and practicums, as through classes. I may want to join my Alumni Association to keep access to the job search board, as well…but I’ll get to that, when it’s time.
I have about a month and a half to decide if I want to take a class on XML in the Spring…or hold out and try a private course, again. I’ve located one which looks like it will fit my needs…if it doesn’t, I know a place that gives an XML course every Fall. However: I can take up to 11 more units, there…maybe I want to save them for PHP, JQuery, or Drupal, and go ahead and do XSLT/XQuery, privately. Then I can re-take it in the Fall at the University, if I need to.
Also, I found a book on XML/XSLT/XQuery, which I can use to boost my skills. I haven’t read it yet, but the last book I read of the series (on Linked Data) was very understandable, and the branch of my association which puts them out…has a very good reputation.
After Spring, I can look at PHP, JQuery, and Drupal; though those aren’t skills as much in demand for my targeted positions. XSLT, though, it looks like I’ll have to learn (at some time — if I want to become a Metadata Librarian, which is what Cataloging Librarianship is turning into).
I think the major thing holding me back is frustration at having to use my, “slow mind,” as versus my, “fast mind.” I’m used to things being easy to scan and read — I can skip over information and my mind will close the gap — and Programming…really requires me to slow down and parse things as I come across them. I have to stop and think about what each symbol or nested tag means, that is…and reading in English is usually so easy for me that I don’t have to do that.
(It is, however, not easy when you’re reading subordinate clause after subordinate clause after subordinate clause…and then you start to think, “what am I looking at?” and you’re looking at an extremely complicated sentence. Maybe I should try and rephrase the lectures, or something.)
Reading in Spanish and Japanese is usually so easy for me that I don’t have to do that, and I’m not particularly great at either of those two other languages, at this point. However, at least I can decipher parts of the code. Whereas when I see something like //@lang, I have to actively remember what those symbols mean, and put together what they mean, in context with each other. That can be frustrating, when you’re expecting to do better (even though you only saw this code for the first time, six days ago).
It’s not easy, although W3Schools makes it look easy. And I’ve found out that maybe it actually is not best to depend on my instructor explaining things to me. I know how to find information on my own, that is; and some of it is clearer than the lecture.
I really…need to figure out what to do about these internships, though! Like, do I need to sign up for the Internship course, pay the tuition, and then work for free for 14 weeks (in exchange for experience)? You know?
Well, anyway: I can contact my Vocational team about that. I’ll need to get it set up by the end of the year, regardless.
And that means, to get the freakin’ Portfolio back online, before someone asks to see it.
I can do that. I can actually do that, soon. And for now, it’s a finite project.
The title of this post relates to the fact that although I have been washing my hands more than normal, I believe my other obsessions are becoming less dominant. Thus, I could write, but I don’t have to write; I could make jewelry, but I don’t have to; I could paint or draw…but don’t have to. I forget the last day I was in a Japanese language lesson, or at which I sewed anything. Aside from these things, I realize that I don’t totally know what to do with myself when I have a lot of free time, and nothing that I’ve zeroed in on to do now, now, now, now.
They’re all parts of me, but they don’t define me.
Having choices is not necessarily the easiest thing, eh?
Given that my last hard-copy journal entry was titled PPP (Pretty Poor Productivity, which I could easily manipulate into an acronym emphasizing more completely my frustration), it seems surprising that I would come back to the blog instead of doing classwork. Especially as we’re getting set up for another heat wave, to begin tomorrow.
I’ve been intending to get my non-deliverable homework done by the end of the night, as I don’t foresee using the computer in the daylight hours between tomorrow and Monday. I also don’t want to fall behind; it’s disheartening. Tomorrow can be used to catch up on my reading (I only have 20 pages).
Beyond that, though: there’s more to be done, really, than putting one foot in front of the other. Long-term…we’ve just made a decision which may turn out to be momentous in its impact on our lives, though it’s a fall-back position. I won’t get too far into it (in public or at this time, at least), but I wanted to note it.
Right now, I’m feeling distracted. I’ve just gotten through cleaning up a bunch of stuff in the craft area; M is there now, cleaning up her things. I have been…likely distracted since a second round of paints arrived, and then there are the pens I have been talking about, which have been getting attention since maybe Thursday? Then there is the language training thing, which isn’t bad…but if the backup plan goes through, I just might be able to take in-person classes, after COVID is no longer an issue. If that ever happens.
And yes, I do suppose it’s possible that I’m a bit depressed. It’s kind of hard, not to be.
I mean, it’s kind of like, “Where am I going with my life?” I know I have strong English skill and Art skill…and some Computer-oriented skill. But I’ve spent the last 10 years figuring out what I don’t want to do, following a career path that I knew nothing about when I chose it, because of a Vocational program which — other than helping finance my schooling and giving coaching for how to apply for jobs — really may not have been all that great?…
It was good to get me into my first job. That doesn’t mean much, though, except that now I have a track record and people who know me.
The major issue for me, if this fall-back position goes through, is going to be figuring out what to do for money. Especially considering that there may not be many non-service-oriented jobs in the area. Now that I’ve mentioned that, you may realize what I’m talking about…
…and it may be more worth it for me to do some reading on psychology and anger management, and try and adapt to the world, instead of being upset when people fail to live up to my expectations (which, with the general public, is a regular-enough occurrence).
If nothing were to change, I’d be seriously considering writing and art as venues within which, to sell my labor. I suppose I can still do that. It’s just that — and this is something I’ve been dealing with for a long time — working creatively feels like a waste of my intellect.
I think I’ve gone over that in my private journal, though. It could well hold for any job, though: that working as one little cog in a machine is simpler and a waste of my talent, when I could be working on my own projects.
So maybe I really should look at being self-employed.
I’ve been having a recurring series of dreams about going back into Undergraduate training and into the Hard Sciences like I thought I would as a teenager. I just feel like I could be helping to cure diseases or something, and instead, I’ve been dealing with random hostile **** being a front-line service worker.
But — as I have been learning with XML/XPath/XSLT — if I know from the outset that I don’t like the classes, what makes me think that I’ll like the work that the classes are training me to do? What makes me think, “it gets better?” Being “cool” doesn’t get very far when I seriously have to deal with work that I dislike (and Computer Programming, I’ve found, I dislike).
The most obvious opening, for me, is becoming an author or writer or Lecturer or Professor at the University level…that’s possible, and it’s even…interesting. But that’s going back into Academia. Do I really want to do that?
When the alternative is service work or computer work, the answer is yes; when the answer is art work or writing…there’s actually a complication which occurs.
Seriously, though: do I really want to put in another 2-4 years of work to gain an MA or PhD?
(If the question is if I would do that for an MFA, the answer is an emphatic, “yes”; but then I have to pick a field. Creative Writing, or Drawing and Painting?)
And then there is the possibility of studying Japanese Language and Literature, which…I would seriously, like to do. At least, from here, I think I would like to do it.
And if I’m doing that, I might as well work in a University Library and get free tuition. Getting an additional Master’s would clear me to work in the position of an Academic Librarian, pretty much anywhere. Would I really like to do that, though (especially given that Academic Librarianship also involves teaching at the University level)?
That is — am I actually OK with going through the process of gaining tenure, or traveling around until I can do so?
But that sounds sweet, guys. That really sounds, sweet.
Like hella effin’ sweet. I’d learn to read and write in Japanese, and my reading can enhance my writing, and I’d get to help the University kids, and live in University towns for the rest of my life.
I might also be able to focus on comparative literature; at least, after that’s over. Though Comparative Literature has never really been my goal, I’ve read into at least one book (Articulations of Difference: Gender Studies and Writing in French), which was what originally whet my appetite for non-English writing.
I can’t believe it. I found a bright spot! Through writing! I love writing! :D
There are also accelerated courses at the place I’m looking at, which sounds so good! And I could get to teach at the University level, about something I’m actually interested in!
At the beginning of this post, I typed “Hypergraphia” as the title. That’s basically due to the fact that I’m just pretty obsessed with writing, as I can tell from yesterday. “Hypergraphia” is a psychological term for the compulsive desire to write. I’m pretty sure it’s what was getting me through my Creative Writing training, when I felt like writing was one of the only constants in my life. It’s also likely what I was going through, as a teen.
Of course, though: if I had a mental condition which was causing me to write compulsively, and then that condition is treated and no longer rules me…the question is, what do I do with my life, then?
Learn another language? ;) Read a whole lot? Journal? Get back to writing for its benefits without letting it drive me into the ground?
I’m feeling so much better. I’m going to end this, here…
but still, being notified that you’re likely about to be laid off, is kind of a shock. I got the news a couple of days ago. Right now, I’m still in the process of rebuilding my ePortfolio (when I can remember it exists), working on my class, and trying to keep my head above water. Which…is harder, when you have to take time out of self-care, to study.
I do wish they could have warned me before I started the Professional Development class which is of most use in Public Service (which I’ve been trying to get out of)…but the letter was dated June 2. They’re very good at withholding information.
I probably shouldn’t get into that.
I still haven’t told my Vocational counselor, though that would likely be a next best step. That, and working on this class and my DBT Anger Management workbook.
The week hasn’t been all bad. I had a meeting which turned out to be very positive and thought-provoking, even though I was having a hard time being present for some of it. I also have some other classes which I’m considering taking through the Winter.
The thing is that I’m really a bit torn between taking courses which are based around the Resource Description Framework (which is very much for a Metadata/Technical position and would likely keep me away from the public entirely, but may require a Computer Science background), Cataloging, Collection Development (the latter of which, has to be a lot of reading and statistics), and, basically, Marketing positions (which have to do with Web publicity).
M says I am trying to do too much, and to take things one step — and one class — at a time. I’m thinking about going ahead and reading Essential Classification to see if straight-up Cataloging is something I want to do. It might also be a good primer for July (when Subject Analysis and Collection Analysis are given). The RDF class series starts in August (with an introductory XML class), and I’m not sure I’m going to go through with all of it. It was recommended to me by a colleague, but one who doesn’t know me very well at all…
So…yes, I’m basically planning on doing some other things for income, fairly soon. If I can not be too bitter about being in this class.
The hard part of this is knowing that getting a new job can be a 40-hour/week position in itself, and so how much do I devote to caring for myself, to making jewelry and masks aside from that, to continuing education, and to job search (and self-assessment)?
Maybe by the end of August (when I can take Collection Development and XML in tandem), I’ll be able to tell whether Metadata or Cataloging work is best, for me…if I look at job openings for the skills I have, with an LIS and Humanities (not Computer Science) background.
Complete class on Mental Health and Libraries
Read Essential Classification
Work on ePortfolio
Work in Anger Management book
Take Subject Analysis
Take Collection Analysis
Take Intro to XML
Take Intro to Collection Development
I think that’s as far out as I should plan, right now.
Okay, I…I have a confession to make. Instead of continuing on with coloring my sketches (which are still beside my bed, by the way), I’ve (re)started sewing. And embroidery. After doing some research on aniline dyes for reproduction work, I’ve decided to hold off on using them until I can get good ventilation or go outside to paint (and use gloves).
In the meantime, I’ll likely be using some combination of watercolors (“like that’s better?” you ask), watercolor pencil, and colored pencil, to color my illustrations. It won’t be as friendly to the scanner, but it will put me at ease (and possibly result in more durable images).
One of the symptoms of acute exposure to anilines, through inhalation or transdermal absorption, is hypoxia — or low levels of oxygen in the blood. With COVID-19 around…I want us all to breathe as easily as we can. From the research I’ve done, it looks like most serious complications from COVID-19 (aside from secondary infection) are from too little oxygen.
I don’t know if any contemporary viewer has looked back on the very old posts in this blog, but there is a blouse (Folkwear 111, “Nepali Blouse”) I first got the idea for…in 2010? I think the relevant post about when I finished the toile (muslin trial garment) is from last year. For about nine years, it had just been sitting around and periodically sticking me with the pins that were holding in the ties.
As recently as about this time of year in 2019, I had re-purchased and re-cut the pattern, with an eye, especially, to making it cover more of my body. Originally, the side slits came up all the way to my natural waist. Like, at my ribs. As a youth I had problems with feeling constantly unnecessarily exposed in my clothing. As I was going to make this myself, I decided to lengthen the panels and insert new panels behind the side slits (as versus wearing a wrap around my waist or a wrap skirt or chupa [yet; I’d have to make the latter], as the pattern suggested). I’ll have to design the exact panel dimensions as I come to them, as I have realized that my body does flare out below the waist, significantly.
Yes, I can do this without draping, by taking a circumference around the place where the hem should fall, and adding that into what I have ready to sew, then dividing it by two, to get a minimum panel width. But one thing at a time. The hemming is actually one of the last things to be done, and I can do it by hand if I need to.
I also went up a size over the past decade, and neglected to foresee this happening when I originally trimmed away the extra pattern paper in 2010. Of course, I had intended to complete the toile in less than nine years, as well. But, better late than never. The main issue, I believe, is not wanting to “destroy” a beautiful cut of fabric (which, in turn, calls into question what I feel is “destruction”…and thaaat calls up a certain phase of my life, where I realized that making anything means transforming it from something else — that means being willing to let go of that “something else”).
I don’t really have a great image of that one readily available…I’d have to look for it in my archives. It’s in the lower left corner of the photo at the top of this post, though, as well as in the upper left corner of the final image in this post. It’s basically a really beautiful blue-green batik with white lines and dots.
The top photo…is what my (new) sewing area looked like, today. Last night I felt like stitching but not like ironing, so I started dealing again with embroidery. Showing what I did would make me a bit nervous, though it is in the bottom center of the top photo (I was playing and screwed up more than a few times), so here’s some eye candy:
As you can see…I am a color nut, so I have collected a lot of different colors of stranded embroidery floss. There are also some, particularly in the orange/pink/violet range, that aren’t in this photo, due to having been separated out for practice. I do have a photo, below:
Last night I was working with perle cotton, as well. The difference in texture and body between the two different thread types is fairly…well, weird. The floss is much flatter and softer, while the perle defines knots well, is lustrous, and doesn’t crush. Right now I’m using a small embroidery needle for both (I forget the gauge).
I’m thinking of trying to incorporate embroidery into the final blouse design, though that will necessitate either appliqué, or working on the panels before assembling the blouse.
Right now, my major source of fine perle cotton thread isn’t safe to visit, so I’ll have to hold out until we can start moving around again, to get more colors of that. I’ve also had a pretty hard time figuring out what ground color fabric to use (right now, I have some Kona cotton solid Fat Quarters [pre-cut 1/4 yards of fabric], muslin, and a limited stash of nice fabric along with a ton of Fat Quarters for quilting practice — and I can’t even begin to say how much easier it is to cut simple shapes with a quilting ruler, cutting mat, and rotary cutter, rather than pinning all the pattern pieces down one by one and cutting them out with scissors), even though at this point I’m just experimenting. I’m seeing what I can do and can’t (–yet), and what looks nice, and when and how to mark guidelines.
I’m anticipating using that pink and violet+blue fabric in the top of the next photo (heh heh I’m re-learning Photoshop, heh heh), as inserts and accents in the Nepali blouse. I realized that since both of these fabrics are batiks, that could unify them (as versus trying to make an analogous color scheme with a different fabric). I have another batik I was going to use (turquoise and green), but it’s seriously much heavier than the main body fabric (nearly to the point of felt or light denim)…and I’m pretty sure it’s a Fat Quarter, whereas I have more of the pastel batik, because I actually bought it off a bolt.
The above shows two of the nicer fabrics I’ve got lined up (with the Nepali blouse pieces cut out and marked, at the upper left — I’m trying not to move them until I’ll use them, to preserve the chalk and Saral paper marks). I’m still not really sure what to do with the pink one; it’s super light. I got it to make a hair wrap (likely it was either that, or curtains), but the thing is, it has a very clear top-to-bottom pattern orientation, and to wrap my hair I’m most likely to need either a long piece or a triangular piece.
I’m also not clear, exactly, on how large my head scarves actually are. It’s been a very long time since I’ve worn one. (Actually, I am pretty sure I can’t remember having covered my hair in the last 6 months, because of work.)
I think I may have avoided making it into a scarf because it was too narrow, or too short…though I suppose I could make a ruched waist wrap (or line something). There’s nothing that says I can’t, after all. Of course, though…chances are that it would creep up my waist while my pants fell down, and not do much.
This is why I want to sew. It’s also why I had to buy suspenders, because some designer — who was good at drafting patterns so that they fit female bodies — didn’t force the clothing company not to use stretch fabric with their dress pants with no belt loops, so now the pants stretch out when worn, and use that stretch to gradually slide down.
Like anybody wants that in their professional attire.
Though — I just did get an idea for a belt that goes under clothing and attaches with clips to the tops of pants, skirts, etc. That could be interesting to work out…
Yeah…I think that’s why I want to sew. I have an aesthetic that is unaddressed. I’d forgotten about that.
Is that the same reason I got into beadwork? Why did I get into beadwork in the first place, anyway? That was so long ago!
By the way, I started back in on this because of seeing the projects of someknitters on my feed. That made me think it was a good idea to knit, if one could reach said levels of skill…and then I actually visited Ravelry and realized that I’m nowhere near that level of skill. Anybody who has tried to knit and has gotten past the beginning stitch modifications (K2tog, SSK, YO), likely knows what I’m talking about! There are beautiful projects that can be made, but first getting a handle on the basics is necessary. I’m not sure I’d be able to tolerate not knowing what I’m doing, long enough to make it to the place I want to be.
Then I wandered over to the fabric stash and started mechanically going through things. Just sorting through fabrics. Then looking at the pattern pieces for this project, which I’d already cut out. Then looking at how much marking and cutting was left to be done. To the credit of my former self, I had set things up already so that it was easy to mark and cut the few things I needed to. Whether the batik pattern lines up correctly, has yet to be seen, but I’m not going to worry about that now.
I also have at least one project that can go with it, which I’ve already started. Then I decided that I wanted to try again. Because I want to add those to my repertoire. And I had set up the desk (see first image) as a sewing station.
I guess that’s a pretty hard-core example of karma in action…
I’ve already made this, once. The difficult part is actually in pattern design alteration — or in thinking about design alteration without actually doing it. But if there’s skill and experience gained for trying, is there anything of matter lost in exchange? (Besides money and time, which are both valuable. But I want the skill. Ready-to-wear clothing vexes me, all too often…)
Ah! The last thing! I’m pretty sure I’m going to keep my Photoshop subscription (it’s so much easier for me to use than what I was using [no, they didn’t pay me to say that, but you can see I actually got some images up here, this time]) — as for the rest of Creative Cloud (CC), I’m not sure I need it — especially not if I’m not doing comics. The reason to keep it would be to train on it, in case I have to take up a role in writing or producing copy, blogs, videos, brochures, graphic design, etc.
If I want to go into a production job, I may as well commit to CC and stop paying the stupid high extra fee every month for being noncommittal. If that’s not the case, I can stick with Photoshop and not pay extra for the rest of CC. I haven’t figured it out yet, and I’ll probably give it another month and see where my illustrations go. If I stick with them, that’s a reason to keep it. If I start taking tons of photos and playing with Graphic Design, that’s another reason. (I actually found a Macro setting on my digital camera, today; I don’t remember ever seeing that, before.)
Then there is the issue of classes. I need to investigate further, but right now…I am thinking of going for a Cataloging or Metadata position. That will likely put me into an Academic Library or an Archive…I’m thinking, actually, of taking an internship either before or right after my probation is up (it increases employability and helps build experience). I should be able to complete all my classes by the end of Spring 2021, as I’ve found a place which gives information on two topics I’d need, in one class series, more focused, and for less money than I’d pay at the University.
I’ve also been advised that knowledge of a second language is in demand, so I’m encouraged to continue with that (I narrowly avoided having to pay for this out of pocket)…and there’s a verifiable crossover between Tech and Cataloging these days, so I may not have wasted my training by aiming for Digital Services.
The other thing: online tools for Cataloging. I’ll wait to subscribe to these, if I ever have to go that route (rather than having my employer provide access). As I may have said, they run about $850 together for a year, and I may not even need one of them (if I take a job in Academia). I also won’t need them if I take a turn towards a creative or production job.
And I need to rebuild my ePortfolio. I took it down because I wasn’t ready to run a website. I have all the copy, but I can make it better.
I should really, seriously, take a look at all the services I’m subscribed to, as well…
It’s so hard to get any project done when I keep changing my aims so frequently. And when there’s actual living to be had.
Right now I’m even wondering what the use is of getting my writing in front of people. Like, is it that important that people see it? And if so, is it that important to publish traditionally? Which is, basically, fraught with uncertainties, and usually doesn’t result in large returns. I think I heard in my Creative Writing program that if you send out 100 queries and get two back that aren’t flat-out rejections, you’re doing well.
If all I’m after is an audience, I can easily work that into a website, with a broader distribution. If I want to get physical books into peoples’ hands, there are ways to do that — through PDFs, through printers, through Print-on-Demand services.
Right now, though; I’m going through machinations without addressing the story itself. Why is it important to me to write — or to make public, what I write? Am I writing for myself? For my peers? To change minds? All of those options take different end forms.
Not to mention that I don’t have to make a profession of it, just because I was relatively skilled in it as a youth…I especially don’t have to make a profession of it, if I have a more expedient way of supporting myself.
My latest version of, “what to do with this story,” anyway, is to create a series of related short stories and/or prose and/or “comics” so they can be (potentially) published as a set — though that’s a long shot. Or, I could submit some stories to literary magazines. Also a long shot. And it complicates things if I want to publish everything as a set.
However, putting things into short-story format allows me some flexibility that is missing in longform prose. It would also be easier to make one or two stories into comics, or to just insert some illustrations, and leave it at that.
The major issue I’m having is wanting to do so many things, and being so disorganized that most of it doesn’t get done. I mentioned today in an offhand conversation that maybe I should be doing Fiber Arts. Why? I’m not entirely sure, but it has to do with color, line, needles, beads, knots, and piecework. Now what those things are going to get worked up into, I can’t tell, at this point. All I know is that I have the materials to make…and that there’s virtually nothing I can’t make with the skills — at least, that I would want to make.
It also means that I would be moving fully into Fiber Arts. I know from past experience that knitting is too slow and fiddly for me. Crochet is faster and more forgiving, but creates fabrics, normally, which are full of gaps. Gaps through which, heat can escape — meaning the fabric isn’t very practical.
Sewing clothing out of flat cloth (basically, making something 3-D out of a 2-D surface) is difficult, but interesting. And it allows me to modify patterns (and other clothing) to fit my own form (which would be useful, especially if it’s hard to find clothes that fit).
The major issue with sewing is that it tends to be more expensive and time-consuming than buying ready-to-wear clothing. But then you basically end up with custom garments.
That you may have to hand-wash. Drawback.
But if you resign yourself to hand-washing some things, it opens up the field, a lot.
And…yes, there is the inevitability of drawing blood when sewing, though normally it isn’t much. Just enough to make sure one keeps one’s materials and hands clean. But that in itself is a reason not to run a sewing circle at a Library: sanitation can’t be guaranteed. I just now assume I will pierce myself sometime, if I’m using either pins or hand-sewing needles.
Then there is quilting…which gets weird when you’re a beginner and don’t know why everything is so uneven. Even when I line up the seams. But I think anyone who has quilted, has ended up with weird first pieces. Which I’m on track to do. (Should I keep going and finish the messed-up square? Then frame it as my first messed-up square, because it marks a completion? Any completion?)
I had been looking into alternate job paths again…and I think I’m OK with not overly focusing on writing or editing (though I might do both on the side). It’s possible to work within what are called, “Technical Services,” “Collection Development,” or, “Acquisitions.” All three of these branches are related, and all three deal with materials before they reach the patrons — as versus being jobs that are on the front line dealing with patrons/customers/etc. They also all fall under a common subdivision of my association.
I still have to look further into it, but the point is that I don’t have to throw out my Information Science degree just because I’m not a, “people person.” It’s hard enough to deal with the public, without throwing in the fact that it’s not something I would do if I didn’t feel I had to (it is nice when I am able to help someone, which is most of the time) — but I’ve got to realize that I do have a choice about it. I’ve just got to find the right opening, and prepare myself.
Maybe I should talk with my boss about Cataloging. I have some back-knowledge from University, and I’ve taken several courses after that, to boost my skills (as, unfortunately, I didn’t take it seriously enough in University). She has worked in Cataloging, so she would know what it’s like. She also might know people who would give me a chance. I also have just taken a look at the upcoming Open University schedules…and have found a course which should help, if I want to move forward. I could apply starting on April 24.
Seeing how my other studies are going (Reader’s Advisory, Reference provision, Program Development)…hmm. I might do that. Becoming a Cataloging Librarian could happen. And it would keep me around materials, and away from the public.
Of course, then there are the professional tools that I may want to practice with, before acquiring a job. I’ve just bookmarked both of them…looks like they’ll run me around $850 (give or take) to subscribe to both for a year. The Public Library version of the tool — that, I know how to use. The Subject Analysis part of the tool, I don’t remember how to use. I last saw it in 2017, and didn’t realize what a gift it was to gain access to it. I’ve worked with the free version…which is doable. It’s just harder.
But yes, if I want to become a Cataloger, I should probably be studying this. There’s so much to know, that it would be good to be familiar with it. I believe that my prior failures in this area stemmed from lack of familiarity with the Schedules, and lack of familiarity with both the tools and the body of rules they stemmed from. I can study this.
I can, seriously, study this.
Of course, there’s also all the other Library-related material I’ve acquired over the last six months, which should keep me busy, if I can actually focus on it. Hope — hope, that’s always the thing that drives me forward.
Just — what will I do to relax? How can I not waste my time? There’s so much I could do… but what do I do?
I kind of can’t believe how much I do not want to work on my homework. Despite that, I know it’s the best thing for me to be doing, right now. At…11 PM at night. Maybe not. I’ve learned that doing unwanted, intensely focused work at the expense of sleep and while half-awake, breeds resentment. Right now, the best I can do is plan.
Tomorrow…and the day after…I can work through the assignments. We basically have one more week of this course — until the end of the month. I’m okay with fitting two weeks’ worth of work into one. It generally looks like a lot, but it’s only been four to five hours of work a week. My deal is that it’s tougher with the time delays between weeks, that cause me to forget and have to review material. I don’t like having to go back over things.
My Sunday and Monday are free — except possibly for gym and showering on Monday, or the Japanese market, also on Monday (I’ve found a type of manju that reminds me of moon cakes, and am missing it). I have nothing important to do this Tuesday night (that’s not always true), or Wednesday night. I can then complete Week 4’s work on Thursday and Friday (though I may need Thursday for general grocery shopping), saving Sunday for unexpected catch-up. The course ends officially at the end of Sunday, June 30. That gives me…seven days, four of which are totally open. If I’m right, my class on Library of Congress Subject Headings should start the day after, on July 1. I can tolerate this discomfort for one more week, can’t I? I’m sure LCSH can’t be this bad.
I just…am really resistant (not to mention, discouraged), right now. If I push myself, it may turn into deep-seated seething rage (do you know how much living I’ve missed because I had to study?), and that…I don’t want. I’m pretty sure it’s because of the sheer volume of information that’s being put out at me; it’s intimidating. Or, maybe it’s more the sheer number of links that I have to deal with, which each have an unspecified amount of information behind them. It’s one of the downsides of using electronic resources.
I realize that I pass if I just try — there’s no pressure to get anything right — but seriously, I hate trying to do things when I don’t have enough information, or I have it and can’t compile it, and have to struggle for air. I hate showing that I don’t know what I’m doing. But maybe the sheer difficulty of this work is the reason why we are being graded on just trying, rather than on the accuracy of our answers.
It’s about 11:30 PM my time, right now. Seeing how I woke up at 5:30 this morning (I blame exercise from yesterday — I totally popped awake, then), I should probably get some rest so that I can get to studying, tomorrow.
The initial reason I wanted to post here was to remind myself that the Pantone markers don’t smudge the Staedtler Duo brush marker I’d been using. I didn’t try marking with a very light Pantone on top of a black Duo — not yet. Major reason is that I don’t want to ruin my lightest Pantone. But the Pantones are alcohol-based. The Duos are water-based. So it doesn’t seem to especially matter whether I ink first and then color, or color and then ink, as the solvents are different. But I still have to really test that out fully. I did also try using a (waterproof) Pitt brush marker for inking, and it isn’t as effective when it comes to variation in line width — or maybe I’m just too heavy-handed with it.
I did produce another image of a character I came up with a while ago; I was in the headspace of thinking about Sanatana Dharma while producing her image. I have a working name for her now, though I probably shouldn’t share it, in case I start using it in anything that eventually goes public. Before I get into anything else, I should say that I’ve had to hold the brush pens vertically to ink hair and to use the Duo for outlines.
I’m wondering how to balance out my creativity…to what extent I express what is going on in my mind — to what extent I draw and to what extent I write. If I keep the story in my mind or if I draw it out or write it down.
I did find a copy of The Artist’s Way which I started looking over, though that is more of a course in reviving one’s creativity. Apparently I got to the second section and stopped.
The other things I’ve been doing — I’ve designed an image for use as a stamp, and tried cutting it out of something which feels like a gum eraser. I think it’s actually too soft to make a good stamp, as its surface rubs away too easily. I can try with a larger image and my carving set from high school on something more like linoleum.
Then there was the drawing with the colored brush pens that I did while playing around on the phone, which more vividly resembles Graphic Design work. But I’ve really got to go now — I can continue this later.
I’ve had in the back of my mind an idea for the slits on the sides of the Nepali blouse. This would be to leave them open where they are, and insert a couple of panels of Seven Treasures stitch to hold them together. How to make the Seven Treasures lacing is gone over in John Marshall’s _Make Your Own Japanese Clothes_ (page 88).
The thing is that the instructions are for panels which remain the same distance apart from each other along their length. I’m not sure it will work out for a triangular opening.
And I’m not sure I wouldn’t need to insert eyelets if I used this lacing, as it’s done in a thick material and not with sewing thread. Inserting eyelets means I’d need something to use as an anvil…and you can see where this is going.
I suppose I could try this out on my muslin version, but really, I don’t expect it to work.
The reason to do this, by the way, would be so that I could get the Seven Treasures-patterned fabric and make the hakama-inspired skirt to match…
I found the perfect batik for the Nepali blouse. It isn’t really feminine (at all), but then…well, if you know me, you know this can be a good thing for something I (in specific) will be wearing. As long as it’s tasteful.
What I found was a very dark blue-green cotton with white accents at $9/yd, plus matching Gutermann thread for under $2, and the sew-in snaps for the cuffs for same. It wasn’t at the place I was planning to go to — it was at a place I’d never been before, but I feel good about the purchase, and about having gone there.
Side note, I also have started reading the article “East Asian philosophy” in an older version of the Routledge Encyclopedia of Philosophy, which outlines some of the major differences between East Asian and Western thought. It’s interesting to see how deep the fundamental philosophical differences go between Western and Eastern cultures — things that I hadn’t even thought of, such as the concept of a personal soul being the basis for the concept of individual rights and sovereignty. Not individual-in-relation-to, but stand-alone identity, as illusory as that may be. But I can clearly see myself being caught in a dialectic between East and West, and coming to understand them both more fully.
I kind of wonder what the “South Asian philosophy” article looks like, now…
Anyhow. After hitting the first store, I trekked over to the place I was originally going to and picked up some dark, soft interfacing and a pair of fabric shears. This was at 20% off, so the interfacing was almost free with the shears. (I ended up needing one yard, by the way.)
What I was told at the first store is that it’s estimated my cotton batik will shrink about 5% in the wash, as hot water is used to set the dye in manufacturing. What I was told at the second store about my interfacing was to submerge it in very hot water and let it soak for 20 minutes to preshrink it, and see if it’s going to bleed. I still need to do that. If it bleeds…I’m using white. I don’t want my collar stained.
Maybe I should use white, anyway. Now that I’ve got the fabric at home, I can see if a white interfacing will show through too much.
Other than that…I have the idea to make a hakama-like skirt. Just not exactly hakama. I’ve been finding multiple fabrics that would look nice as an insert into a plainer garment, but which would be too loud on their own. One of these I saw at the store where I got my batik…it was sort of a version on Seven Treasures, I believe. Indigo and light blue. Made into its own garment, I wouldn’t wear it; but as an accent on another piece, it would be perfect.
What I have in mind is basically an A-line skirt which is open in the center front for maybe 6-8″, with a wide inverted box pleat at the center back. What I want to do is to insert a generous amount of accent material in mirrored knife pleats between the two front panels of the A-line, with the rest of this skirt being a solid color or a very subdued print. This will allow me to have a tailored skirt in which I’ll still retain mobility — at least if I don’t go crazy chaining the pleats to each other.
What I can see being an issue right now is that this seems to recommend pattern drafting and a higher level of skill, and I’m way too new to sewing to be able to do that and not be frustrated. I can, however, buy a cheap pattern for a long A-line skirt and alter it. The hard part will be the shaping at the hips and waist (I’m curvier than I used to be, and I don’t have a block/sloper), and the zipper or buttons I’ll need to fasten the thing.
I suppose I can start thinking on it now, knowing that it’s something to work up to. There’s no time limit on this, I suppose.
It isn’t as hard as it was before. I haven’t made anything to wear yet — I’m in the process of making a series of swatches with different stitch patterns. :D In cheap yarn. But I guess that is what cheap yarn is good for. ;)
I did go to the store and got a new tiny pair of scissors (I lost the old ones) and some tags to label my swatches with. ^_^ I’m proud of myself. Even though I haven’t made any clothing yet, I’m still learning, and that’s the part that I think my brain craves.
While I was out getting the embroidery scissors (which I want to make a leather pouch for so I can take them places with me) I did also check out a number of different natural-fiber-based yarns. I’ve been to a number of different yarn stores recently, enough to know that it’s entirely possible to overspend on yarn and then not have enough for a project.
I’ve learned from the bead stores — get a project in mind before buying materials for it. In December I spent over $100 on beads. That’s really too much. And I haven’t been beading since New Year’s; the beads are literally just sitting on my desk getting dusty.
I really should get back into that. But I’ve had other priorities. At the least, I should put them away if I’m not going to play with them. Bracelet v. 2.0 has been put on hiatus because the restringing showed me that I’d need some 4mm bicone crystals in a color I don’t have. (This is the bracelet where I’m replacing the Alexandrite 6mm Swarovskis with Montana Blue 6mm Swarovskis.) The project on indefinite pause on my desk is something that I’m trying to assemble out of a range of greens and soft violets, though I was interrupted in that by a friend’s arrival, and haven’t been back to it since.
I did note though…I have some smooth peridot lentils which are much more glittery than the glass beads I have. Their refractive index must be higher than that of glass. Possibly higher than that of lead crystal…
And while I’m at it I should note that I now have violet-opal and periwinkle (and pale green!) “Baby Bells” for a necklace that I can make in a modified Biva chain…which could be cool. “Baby Bell” is just what my local bead store calls a very tiny Czech pressed glass flower bead; it’s kind of shaped like a bell. They’re quite inexpensive.
Next time I do a Biva chain though…I want to increase the number of leaves on it. But, I’m not entirely sure how I’d do this and still keep the leaves attached to each other. I could have them at right angles to each other…but no, that won’t work…as I have to attach the flowers, too, and I can’t anchor those if the flowers aren’t beaded. Free-floating leaves? If I make many, maybe I could pull it off. I wonder what it would look like if I attached the stems to each other at the bases…kind of spiralling around?