beading, beadwork, craft, jewelry design

After all that…

It’s been a long time, and I’m feeling the need to get back to my jewelry and lace work.

I still haven’t gotten around to making that goldtone and freshwater pearl necklace, though I have all the materials. It’s something to think about, at least — if not work on. (Why not work on them? I have to decide whether to use brass or gold-fill wire…this is 26 or 28 gauge, not plated very thoroughly, in the case of the gold; and I can’t expect the working properties between the metals to be the same.)

The major issues are the possibility of running out of the gold-fill wire and of forgetting which type I got last time; and of finding that my pearls aren’t all drilled (or shaped) correctly. The latter would mean I might have to thin them out. It doesn’t help that, because of the fineness of the chain I purchased, I have to attach the drops integrally, in the process of making them. Standard jump rings just won’t fit inside the links.

Right now I also have a strand of button pearls, with which I’m not sure what to do. I was thinking of interspersing them with the woven drops. It would be easier if they drilled them lengthwise, like maybe with two horizontal piercings, instead of drilling them vertically from top to bottom. Button pearls, basically, are shaped like little mounds, with one flat side. They’re a relative design challenge because of it, although if they were drilled like “Candy” beads (two parallel holes along the base, cabochon-shaped), it would be fine.

Well, most anything could be a design challenge, if one thought hard enough, I suppose…(“Let’s make something that doesn’t look like anything that came before!”)

The bright side of having them, though, is that they’re relatively inexpensive, so I could afford a good luster — even if they are cream as versus white. (I get happy with a good rainbow sheen…which was a reason I often went to my local bead store to pick out individual strands of pearls. [That particular store, however, no longer exists.])

I still have to go through and cull the dull ones out, though. To be honest, I’m not sure how many of the ones on the strand I have, are usable. Just…natural things happen to them, which sometimes makes them not look so good. If you’ve seen the various insides of shells, like from mussels or clams…you probably know what I mean. Sometimes they just look marred, for reasons I can’t imagine.

I also have to keep myself from buying these, at bead conventions. There are often a lot of pearls, and the good ones — like the iridescent ones (along with some of the not-so-good ones) — often cost a decent amount, per-strand. Pearls are also some of the hardest things I could work with…they’re not as regular as seed beads or calibrated beads, and they kind of demand that whatever goes with them, not be so humble as to allow the pearls to outshine them. This means that pearl jewelry…it can get expensive, quickly.

I guess from a sales perspective, that means you get back your investment. But pearls are basically gems, just organic ones. Gemstone jewelry isn’t cheap, in most cases (unless you’re working with very small quantities, as with earrings, or you’re using an abundant or inexpensive material, like hematite).

It’s been a really long time since I did any macramé, as well. It’s not that I don’t want to do it; it’s that my materials are hidden, stashed away in drawers, so I don’t think about working with them, so much. The hard part is when they become hidden in plain sight, so you see their container every day, and just don’t think to look inside. (Now that I mention that, I remember the tatting shuttle on my nightstand…I’m concerned that it will become like my knitting and crochet, and be too repetitive for me to avoid feeling like I’m wasting my life. But I’ll give it a shot.)

Along with all this, I’ve continued experimenting with the Tri Stitch chains. Apparently, I can fit a 4mm fire-polished (FP) bead into each gap on either side of the chain, and it will lay flat…though I haven’t measured the exact length of those “4mm” beads. My major issue at this point is the fact that those 4mm FP beads are too wide to fit in between a Tri Stitch lattice (also that the lattice looks cheap next to them, depending on the beads I use).

However…what I did before with a 3mm Magatama drop, between two 15° Toho spacers? That…might work! Of course, it would turn the Magatama vertical, so that it would stand out of the fabric instead of dropping to one side, but that may be enough leeway to allow the bracelet some motion. It would also add texture.

And, of course, as I saw before…not all of those drop beads are the same size. So I also have some leeway, there. It would…just be kind of nice, though, to know who made those beads…not every supplier divulges their sources (sometimes, intentionally).

And…yeah, it’s…now 2 AM here. I…should go to bed…

beading, beadwork, craft, design, jewelry, jewelry design


My attempt to be concise has failed: the intro, here, is what’s going on locally. The rest is about beadwork and jewelry-making as a micro business.

Today was bearable, partially because I’m learning it’s okay not to overwork myself; what to do when I am in danger of overworking myself; and that I don’t have to keep my personal and work lives fully separate. I just have to avoid oversharing.

I guess it’s kind of like my Web presence.

Tomorrow…I need to re-pot my dwarf Umbrella Plant before it falls over. :) Meaning that I should water it, tonight. I also want to work on some coding, and start some kind of beading project — whether that’s bead embroidery, or working on the SuperDuo bracelet (cream, blue and amber), or working on the bronze and green project (which I’ve decided is okay if I do just use the two-hole beads as spacers for a double-stranded necklace — I really want to make a double-stranded necklace!).

I’ve spent the majority of my free time today either reading beadwork books, or browsing beadwork books. I don’t know what this place is going to look like, if I keep collecting these things.

I’m still torn on whether or not to put the project I photographed in my last post for sale…for one thing because I’m not wholly satisfied with it even now, and for another thing, because it has special significance to me. The pearls I used in it, I purchased on my last trip to visit family in Hawai’i.

I could make another version of it with far less personal significance, and likely sell it for less than this one. I’m attached enough to the one I have now, that I’ve decided that I’m not letting it go for less than $85. I predict I should be asking more, but like most beginning crafters, may undervalue my product (the upper limit above which it just gets ridiculous, is $145; $120 is middling but compensates me well for my skill and labor, and pays off everything I bought to make this).

The same place I bought the large pearl from, has told me that they will ship to the mainland; I have half a mind to ask for a 12-mm Tahitian black pearl, to make another version of this necklace. I don’t entirely know how much that would cost, however (I’m guessing between $12-$24 at retail), and the black pearls I saw there last time weren’t really iridescent. (I have a thing for rainbow sheen on pearls, but I don’t know if that sheen is artificial [like an Aurora Borealis (AB) coating on glass] or not…)

I had wanted to work on the collar project with the pink netting, but I know I still have more design work to do on it (I’ve realized how to make it curve), and that it will likely work out best if I do not attempt to incorporate the cabochon, at this point. The distortion caused by attaching a netted collar to a mounted oval cabochon…I’d have to conceal, and I’m not entirely certain how, yet (especially as that join is at the focal point of the necklace).

However…I can do a netted collar without the cabochon…or incorporate the cabochon as part of the clasp, and wear the clasp in the front. That…would make sense! Hmm. I’ll have to think, on that.

I can work on the body of the netting as-is, and see if I even have enough beads to encircle a neck comfortably…

So before Tuesday night, I want to have some stuff finished (a friend has asked me to show some of my work that night…which could get interesting). Particularly, the pink bracelet and a violet version, would be the easiest entry points into that. Working with cabochons is almost starting from zero, for me (I’ve only mounted two undrilled cabochon-like stones ever, and one of those was in a metal bezel, not a beaded one).

And…yes, basically everyone is saying I need to be selling on Etsy! I’m pretty sure I’ll need to take them up on that…

The pearl drop necklace (on chain) is in hiatus until I figure out if my chain is much too delicate to be hanging anything off of…it’s 1.3mm wide. It’s tiny. And stretchy.

28g wire will fit through a link, but with 17 of those drops…will the chain break??? The problem is that the links are so small that I have to wire the drops directly to the chain. That means that if the chain deforms or breaks, to avoid undoing my work, I’ll have to cut the chain rather than cut the drops. One or the other has to happen, and I’m not looking forward to either, because this is utilizing gold-fill and gold-plate, not pure brass.

Though, I would have a good set of tarnish-resistant chains for tassels or earrings, later…

Yeah. I need to be selling this stuff…the major issue right now is making stuff so nice that I want to hold onto it…but I hardly wear any jewelry, normally! Really!