beading, beadweaving, beadwork, glass beads, seed beads


Last night — or yesterday, rather — M and I made a run to the quilt store. We went there instead of the big box fabric store, as (given an easy choice) I would rather give my money to support local small business, than to grow a large corporation. There’s that, and the quality of the fabrics at the quilt store is really nice (even if they mostly have cottons and silks). It may just be me being a color nut, but also; just looking at all the different shades of fabric is awesome.

It can, however, be a bit intimidating when you’re choosing just what color scheme to use in a project! I was able to help M out with color selection, and pick up a nice batik to use in the side slits in the Nepali Blouse. The way it’s turning out, I may have a minor skirt at the bottom of this blouse! (If, that is, it becomes necessary to raise the side slits back to their original position, and insert a panel to cover my skin.)

Because I would only be going to a certain convention this time around to pick up C-Lon cording, we decided against it. I was able to find a different supplier, which is a good thing!

The other thing interesting, yesterday, was breaking back into my beadwork. There’s a friend who gave me a couple of bracelets to mend, although I said at the outset that I doubted I could fix them.

A while ago (2011), I tried fixing one, requiring some disassembly, and realized the thing had been made with a double-needle netting technique (which I still don’t know, though I could probably figure it out). That in itself was only part of the problem; the larger part is that the beads are so faded and tiny that I can’t tell which color is which, unless they’re pre-grouped.

M suggested that I return this attempt and make this friend a new bracelet (basically an apology bracelet, like the apology earrings I’ve now realized I have no record of on WordPress, as versus in my archives). The below is the swatch I produced by toying around with stuff last night. I brought together a set of colors which is obviously intended both to be beautiful, creative, and relatively gender-neutral.

blue and topaz beadweaving sample.

To the left, here, is a photo of that trial swatch. I basically knew I wanted to try something with SuperDuos…and I had these cream SuperDuos and blue MiniDuos. I really didn’t know if they would work together, but it was worth a shot; and it seems they do!

SuperDuos — or maybe I should say, beads that I’ve seen sold as SuperDuos — can vary in shape, from bean-looking things, to almost DiamonDuo or GemDuo shape (that is, rhombuses). SuperDuos are a bit more curvy in their edges, than either DiamonDuos or GemDuos, though; at least if I’m correct. Of course, though, I have SuperDuos from the early days, meaning I may have some very old-model beads!

I’m going to have to remove the “root beer” bead in between the two amber 3mm Magatama drops, in order for this to turn out flat. Right now, the fringes are overlapping a bit, as the three-bead fringe (two 3mm Magatamas and one matte Fringe bead, possibly Czech in origin) is slightly wider than one full-size SuperDuo. If I repeated the three-bead blue fringe every time I could, the overlap would be noticeable.

Tonight, D and I went out to an Asian discount store which is closing its doors; I found two “Quilting Totebags” for about $2.50 each, and brought home three smaller chirimen bags which are still big enough to contain tubes of beads, and projects. I’ve been wanting to take this stuff to work, and this seems like a good way in which to do so.

One thing I’ve learned over the course of years is that the method of storage affects the use of what is stored: if two things are stored far apart or segregated by size or shape, for example, it is less likely they’ll find it into combination, unless measures are taken to counter this.

I also realized that right now, with my design, I have a tendency to start with color and color combinations, and combine everything I can find into a desired color scheme, then take what shapes I have in those colors, and attempt to assemble them into a form. (It’s kind of a creative exercise.)

In the future, I may attempt to get all the shapes I can in some neutral shade, and work at the form first, before choosing the colors.

I feel the need to note some things about design, for myself in the future:

  • Beadweaving is kind of like using Legos. Structurally (aside from cabochons and bead embroidery, the latter of which can range into sewing), you generally have two main design elements: piercings, and lines.
  • Any line must go through or around a bead, which has one or more piercings through which a line may pass.
  • That line must then either wrap around another line (as with Brick Stitch), or pass through a piercing.
  • In bead weaving, we generally attempt to cover exposed threads with beads, in order to avoid damage to those threads.
  • In beaded micromacramé, not all cords must be covered, as the cords themselves are a visual as well as structural design element (with the possibility of becoming a dominant design element). These cords are also generally strong enough to withstand exposure.

Right now, I absolutely know I need a shower before tomorrow, so I’m going to end this, here. I will note, however, that I have a lot of new reading material from the bookstore…it would be nice to get around to it!