I’m not a Hard Sciences person, and I shouldn’t try to be one for the sake of being like my dad. I’m not him.
I didn’t even realize before breaking back into my 11°s that they’re basically about 2mm across. Using a pattern that looks like a macramé version of Daisy Chain (without the roundabouts), I’ve been able to tinker my way to a smaller version of what I was working on last with standard C-Lon and 8° beads. I don’t know if I’ve posted images of it here, yet — or if that was on an alternate blog (which is down, for now).
Right now I’m not even sure as to whether I should go back to Photoshop. I think I would post a lot more images if it were easier to modify them…though what I’m using now has a lot of options (and likely more technical options than at least PS Elements), it isn’t the most intuitive program. Its UX isn’t great.
I’ve been reading Adolfo Best-Maugard’s A Method for Creative Design (first published in 1926). It’s been interesting, though at this point (30 pages from the end of the book), I don’t think I’ll purchase it. There is some interesting content, but the book is based on a pretty idiosyncratic viewpoint which I’m not sure I buy into. I mean, it’s interesting to read, but whether I accept the author’s argument is something else.
There’s also this thing about the context of the late 1800’s and early 1900’s that seems to resonate with me. I wouldn’t be surprised if the author was influenced by Spiritualism, which was active around the same time period. Both reflect a desire to seek out what is common between all the world’s peoples, at an early stage of globalization.
Best-Maugard essentially analyzed world or “primitive” art and broke down many of the designs he found into simple constituent elements which could be rearranged into various two-dimensional representations. What’s disappointing for me about this book is that it seems he is only teaching a method based on one form — the spiral — meaning that there is a lot more that he holds back. I would have preferred a longer edition with fewer drawings, explaining or demonstrating further these other primitive forms. As it is, I haven’t so far seen him speak about the latter; only that they exist, and that he isn’t going into them.
Anyhow: as much as I appreciate the fine arts, and love the color mutability possible in painting…painting isn’t easy for me at this point. I’ve been attempting to get back into it…but for some reason…flowers aside, I’m not drawn to common subjects, like portraits or landscapes or figures. I just don’t see the point. I can appreciate art made with these subjects, but it’s not my art.
That could be me coming from a writer’s background, too. In writing, conflict and tension are the main drive behind the narrative: in fine arts, it seems people reproduce (or create) the placid and agreeable a lot of the time, and I haven’t been able to reconcile these two modes or methods.
One of the things that has struck me is that it’s possible my native method is more lexical; as stringing different colors of beads on colored thread and tying those threads together, echoes the form of language or parallel processing. It’s just a thought: I’m not even totally sure about it yet.
And the beads were staring me in the face (I bought maybe 14 little 7.5 gram vials recently: no point in getting a whole lot of any one color when I hadn’t seen them), and I had bought a lot of tiny C-Lon, so I just went and got the stuff out. No reason to get the stuff if I’m never going to use it.
For some reason…dealing with beads and cords and color…it’s relaxing. Whereas work on the computer is more often than not, tension- and anxiety-inducing. Not to mention that it’s likely in the process of destroying my eyesight.
Before going to an online Master’s program, I thought it would be OK to be on the computer more. But being intensively on the computer for 6+ hours a day is something I don’t think I could tolerate.
But really, the Digital Services path only really determined seven to eight classes out of the twenty I took.
Yeah, I guess that’s a lot. Like, a third.
Maybe what I need is really to decompress and stop taking classes for a bit. It would be ironic if taking these classes taught me that I didn’t like the subjects the classes were about.
It really wasn’t too bad, until I took Database Management and Fundamentals of Programming. Then…I was like, “what did I get into?” I also don’t have a Computer Science or IT background (or even a Hard Sciences one after high school, although I still love Geology and Astronomy), so I’m at something of a disadvantage in the digital field. I know that if I want to stay current in Web Development, it will take constant acquisition of new skills to keep up with the pace of technological change. I’m not sure that I care enough to actively choose to do that for the rest of my life.
Maybe that’s why the people in those positions get paid so well.
At this point, I’m clearer that I am a Humanities and Social Sciences person, although I don’t think Sociology is where I want to be. I attempted that for a couple of years in my undergraduate training. It was depressing.
Psychology was easier and more engaging, but I never really went deeply into it. History was amazing — particularly World History. I loved that: being able to fit pieces of thoughts together into a coherent image. I also loved Ethnic Studies, even though I took classes just different enough from my own position to be able to expand my view. Though I somewhat regret not having taken Japanese-American Literature, I also know that I’m immersed enough that nothing in an undergraduate class on it would have been new to me.
I also regret not having bitten the bullet and taken Japanese Language & Literature as my undergraduate major. I don’t regret having honed my English writing skills, but I am irritated that people devalue good writing so much. There is also the issue of being able to ever find work or a way of being in Japan in which I wouldn’t be exploited, being a dark-skinned female (kokujin, or “black person,” is still an accepted term in lieu of amerikajin, even if the “black person” is also “American”) with no plans on marriage or children…but yeah, insider stuff.
It was likely my experience with my birth family — and trying to be included in an Asian clique — which caused me to lean against learning Japanese language, though.
I could get further into that, but I won’t.
In any case…I’ve been finding people just kind of randomly on the Reader who do things that no one else does. Like the person who paints silk scarves, or the person encouraging me in tatting. There are a few of us who do regularly post on beadwork, but not many. I get many more “Likes” on my painting posts than on my beadwork posts…but that doesn’t mean I should work on my painting, instead.
Seriously. I think more people can just connect with painting, whereas bead weaving or beaded micromacramé is relatively niche (which is a good thing so far as niche markets are concerned, but)…
It’s just kind of tough to be disconnected. I should probably go out of my way to join a beadwork forum or two, though as my specialization is beaded micromacramé at this point…yeah, that’s…that’s kind of special. (I was inspired with the macramé bug by someone working with cords and gemstones, though what I do is much different from their work.)
I wonder if giving resources would help others get involved in the hobby? I’ve been reluctant to do so, for my own reasons…