beading, craft, design, fiber arts, jewelry design, macrame

Woo! An all-nighter!

Last night was the first night in a long time that I got no sleep. Like, absolutely zero sleep. Don’t drink a Coke at dinnertime when you only got up a minute ago.

As is often the case, however: while I was unable to sleep, my mind was working. I puzzled out a new earring design (or designs), or the beginning of some. By dawn, I had pretty much had it with lying around in bed trying in vain to pass out, so I got up, sorted through the fabric laid out over the chair contemplatively (I haven’t made any masks since I burned myself with steam from the iron about three days ago), and then set to trying to make the earring I had designed.

As I had only essentially learned how to tie vertical and horizontal clove hitches (a.k.a. double half-hitches) a couple of days ago, it was kind of wondrous that I was able to transfer that to a chevron pattern. There are instructions for tying chevrons, Cavandoli-style, in Micro-Macramé Jewelry, but I did kind of have to puzzle out some things in construction. I’m pretty sure I won’t be following project instructions exactly, going forward. After all…they’re guides, and many more possibilities exist than are apparent from instructions.

An unfinished earring featuring a purple and orange panel of Cavandoli knotting, suspended from brass wire and terminated in beads.

Right now, the earring design still isn’t really complete. I’m trying to figure out what to do as a termination, given that M was in love with the piece with all the threads still attached to it.

On top of that, I’m not too happy about the color scheme, but considering this was a trial, I used colors that I normally would not use, in order to save the good stuff for the time at which I know what I’m doing. :) Unfortunately, then, this earring turned out almost looking like the wearer is a Lakers fan…and that’s about all I know about the Lakers. :)

However! For something I designed in the middle of the night and made on the fly in early morning, it turned out pretty well! At this point, I’ve knotted off the 4mm Fire-Polished bead at the bottom; all it’s waiting for, now, is cement, trimming, and possibly switching out that round earwire (inferred by the shadow at the top of the image).

I…could get into how I designed this, but…I’m not sure I have the energy to explain it, right now. I have set aside a notebook for jewelry design, which I should copy my drawings into; there were just so many design phases for this, however (incorporating macramé and wirework)…that the idea of the task is daunting.

This is a prototype, though, using C-Lon standard gauge. I’m hoping to make more of these, in more attractive colors. :)

beading, beadweaving, beadwork, craft, design, glass beads, jewelry design, seed beads

Design work: Tri Stitch using C-Lon Micro Cord

For several hours, I worked last night on a design prototype for someone close to me. I got to use the new C-Lon Micro Cord that I got, not so long ago…and I’m honestly pretty amazed.

I was going to make an embellished Tri Stitch chain that is longer on the outside than at the core — when this is done, a ruffle or spiral should occur (the latter, if the twist is guided, instead of just left to bunch up). However, dealing with making the prototype out of the C-Lon Micro Cord, I found that it is really sturdy! That is, it’s really structurally more solid than when I use thread. It also doesn’t warp as easily. That said, I also have to watch my tension so that everything locks in, but so it’s still not too tight; there is a bit of stretch in the cord (even after pre-stretching) which can shrink up and distort the work. It’s reminiscent of Silamide (which I don’t use for this precise reason), but not as extreme.

What I didn’t realize until starting was that if I wanted to make a knotted or beaded bail at the center, I should do this at the center of the cord, before beginning the weave. Also, when using 8/0 beads, especially when using more than one color, it isn’t really necessary to embellish the chain.

Tri Stitch design work and experimentation. How much time would I have to do this if this were my main source of income?

I’ve switched from opaque turquoise and silverlined light topaz (left vertical portion), to silverlined teal and multiple colors of drop beads, ranging from chartreuse through green, to teal (diagonal right portion). Accidentally, I tested them out in a size gradation which was also a color gradation; right now I’m thinking of making the chain with that gradation as part of the design. The big thing is making it match a pendant that the recipient wanted to include. I think that if I make a beaded bail, I’ll want to loop back around the top of it with a drop spacer, in order to fix it into a V-position as regards the rest of the chain.

I’m not sure how much cord I’ll need to reserve in order to create something 16″-18″ long. Usually, in micromacramé, I use three armspans of cord (1.5 armspans for each doubled cord), but that’s for a bracelet — like 7″ long — with knotting, and plenty to spare. It would also be using standard size C-Lon, which is about 0.5 mm wide (from my own measurements). C-Lon Micro Cord is about 0.2 mm wide. Tri Stitch loops back on itself continually like a backstitch; it isn’t knotted, but I’m not sure of the amount of overlap, geometrically. It should also vary based on the length of the bead piercings.

It’s been a very long time since I’ve been straight beadweaving!

Logically, I should be able to work the needed cord length out by weaving a measured amount (in Metric), then cutting the ends, undoing the work, and measuring the difference between the finished chain and the thread that went through it, then using the two measurements compared as a ratio. I would take the final desired length and compare that to the aforementioned ratio, leaving me free to solve for x, which would be the amount of cord I would need without additional handling length.

And yeah, I am kind of amazed at how I worked that out (I remember it from learning stoichiometry in Chemistry). It wouldn’t be as clean if I were using several different kinds of beads, though; I’d need to factor in extra room for play.

If I were doing this for money…it would have to be an addendum to my regular work. I couldn’t take this long to design in a micro-business environment where I were being timed, and I were trying to make a living off of it. (I could, however, do this if I were a commercial Designer and not an Artisan, though that’s a fine [negligible] distinction in my current setup.)

Right now, I’ve got to decide on overall length, color placement, and how I’m going to fit a wire bail onto the pendant I’ve got. Looking at it, it’s pretty evident that what’s on there now (a handmade open jump ring) can come off. Because of the pendant’s formation, I need to use an ice-pick bail style, which isn’t the most secure thing (but the pendant [which isn’t mine] isn’t the most sturdy thing, either). Because of this, I’ll want to make sure the pendant is not integrated into the chain, so that if the pendant breaks or is lost, my recipient will still be able to use the necklace portion.

I had thought of doing this an entirely different way, last night…but I realized today that to do what I had been planning on doing, I would need to weave half the chain, then put protective knotting at its base, and go back through the chain a second time to reinforce and hide the thread end. I am using 8/0s, but I have doubts about how many passes of this cord these beads can take. Given the heaviness of the cord, as well (which is still wider than most bead threads, including Power Pro), it’s sturdy enough as it is. Going through it twice would be overkill.

Alright, I’m posting this now. Time to get back to work!