I’m back into jewelry design and beadwork! :D I was playing around with some cabochons last night and came up with a couple of designs. Right now I’m busy still collecting parts that I might be able to use for a necklace. By chance, I found a set of faceted glass rice beads from a really long time ago, that I ended up not using because they were too large and glittery. They might work well for the back of this necklace, though, at least so if I space them out. I’ve also thought of using beaded beads (beadwoven beads made out of smaller beads). Though that hasn’t gone anywhere yet, it’s still a possibility.
The alternative is utilizing a set of Amazonite beads which I haven’t bought, yet. Minimum size, 8mm in one direction, looking for a fluted oval (this is an oval with a square cross-section which twists). I’ve been looking around online, though unfortunately I don’t have a great catalog of stone suppliers, as I primarily work with seed beads. Most of the stones I have were bought a long time ago, with the exception of several cabochons. That, in turn, is due to the relatively high cost of quality natural stones, plus the fact that if I use one stone I often have to pair it with metal and other natural stones and crystals — as versus synthetic material like glass. That multiplies the cost of a piece, several times over.
Though I could use inexpensive suppliers from overseas…it’s really hard to trust mail-order. Especially mail-order from the other side of the world. I’d be looking at local bead stores and local conventions, first.
Also an issue here is the fact that with buying things like stones and pearls online, I don’t get to examine the goods before purchasing them…which affects quality significantly. It’s also a reason I’ve told myself that I am not going to buy any more (grubby) pearls online. And a reason not to buy cabochons online (I can’t tell if the base is all the way flat and if the shoulders are even, even if I can see the patterning in the stone via an individual listing). Even if stones look like they’re cut well, small unseen irregularities can appear through the sense of touch.
I still need to design the bezels for the main two stones, though I’ve worked out that I want to have multiple threads leading away from the upper one. I also know what the base row should look like, and that I’ll need to cement down the cab before beginning work (which I am extremely reluctant to do, especially as one is translucent, and I don’t know if E-6000 will cleanly release from a mirror-polished surface).
The upper cabochon is an aqua-blue puffed square Amazonite, and the lower is a pear-shaped Moonstone, which I feel is too valuable to glue down to something…but the alternative is to create a custom bezel out of Fine silver, which requires the use of fire. If also done for the upper cabochon, it also complicates the process of attaching that cab to the rest of the necklace.
I’m going to practice my beaded bezels on a couple of mail-order cabs I will likely not use for actual jewelry, because they look too much like googly eyes. I should try gluing down and releasing one, to see if I even can separate them. I don’t want to use 2-part epoxy. It sounds like heresy to do that to a Moonstone (and most of the time, I don’t care about heresy). I would really hate it — unless, it worked; or unless I could undo it, if it didn’t.
Right now the palette for the potential necklace heavily depends on Capri Blue, playing off of the schiller (rainbow) in the Moonstone and the aqua blue of the Amazonite. I’m also using white/Crystal (clear: I need to see if Rock Crystal [quartz] has a different refraction index than glass, and if so, do I want to use it instead [a quick lookup says yes]), Light Topaz (light yellow — which also appears in the Moonstone), and green (the latter, if the design needs a slight contrast — though I’m hoping it would be very slight).
I haven’t continued the design writ large from last night, given that I was busy earlier and needed to rest afterward. I also only remembered that I had Japanese size 15/0 beads in Capri Blue and Light Topaz, last night in bed. I find in my stash, limited amounts of size 13/0 Czech seed beads in Galvanized (metallic) gold, iris green, and a half-hank in pale pink; another in Galvanized copper. I might need those for the bezels.
I’m really not sure anymore that I want to continue using copper, as it tarnishes so easily…and I’m pretty much over nickel-free Antique Brass (although I have a project in-process that uses it). I should note as well that Galvanized colors often have issues with wear, where the metal rubs off. There are newer variants of it which sometimes do also contain the word “Galvanized”, but which are longer-lasting. The thing is, their names are brand-specific, so as with anything, do your research.
Last night I cleaned off all the earwires of my old earrings which I took in to a showing, due to concerns about the cleanliness of the venue, and to guard against too many bacteria getting into my piercings. I’ve decided — at this point — not to install the heavier-gauge earwires into my own ears. That’s largely due to realizing that I can go “alternative” with my jewelry in other ways, such as through the use of anodized niobium earwires (I found a good source), or the use of unusual color combinations. If I put in the heavy earrings, I’ll only be able to wear what other people make, or things that are like what other people make…and spirals seem to be becoming a bit cliché.
I have 12 pairs of earrings that I’ve made over time, that I consider successful. I also have a few more pairs which can be deconstructed and redesigned into other things. Getting them out of my jewelry drawer felt (actually) good.
One of those sets of earrings have what I believe are Bali sterling silver cones (they were sold by the Troy ounce, which likely wouldn’t have been the case if they were only silver-plated). They’ve never been the most convenient things to wear, because they’re heavy. I had been thinking of using them for this necklace, but right now — I’m thinking about a different transition between the front and back of the necklace (like buttons). Particularly, as they would be some of the only silver pieces on this necklace (aside from silver-lined beads).
Bali silver — last I saw — was notoriously expensive, but very recognizable, and very beautiful. The hard part is trying to find Bali silver beads without having to buy in bulk (by the strand…which, given the fact that they’re individually heavy, on strands about 18″ long, and sold by weight, obviously infers their expense).
AND…I’ve just realized that I have some white pearls here that I can use! They’re pretty old; I took them from a pearl and rock-crystal necklace I didn’t often wear (it was too formal). The pearls themselves might (still) be too formal, but there’s at least that possibility of use. I had also separated out some tiny green pearls last night (they’re about 3mm long), but I forgot about them until just now. There are also at least 12 slightly-green pear-shaped pearls I can use, but (unless I also undo my practice stringing, which I probably should) that will be the last of them.
I went through my (limited collection of) bugle beads, today. I’m not sure that I want to use them; bugles are notorious for cutting through thread (I would have to use Fireline or C-Lon). They also lend a geometric look to whatever they’re used in, which isn’t what I’m aiming for at all (it’s also a reason I shied away from Miyuki brand, this last time I bought beads: I just don’t like the machined look). They are in the right colors, though: Capri, Light Topaz, a warm green (though I may need a cool green, if I use green at all: I’m thinking, ocean, sky, sand, seaweed: in that order). I basically got them out so I wouldn’t narrow down my design options too much, at this beginning stage.
And…I need to get to bed. You didn’t think I’d say that, did you? ;)