beading, beadweaving, beadwork, color, drawing, fine arts, jewelry design, painting, writing

Am I still making beadwork? I want to.

It’s been a while since I’ve used this blog.  I thought I’d send in an update.

Since Fall semester has ended, I suddenly have a lot of time on my hands.  I’ve been working on a portfolio for my Drawing class, for most of this week.  I think I made it through all right.

I now have one more semester to go before I’ll be able to get my AA in Art.  I’m really, really glad that I went this route, instead of going the route of computer-generated graphics.  This does, however, beg the question of just how I’m going to use the skills.  At this point, I’m not totally certain about that.  I went into this thinking that maybe I could be a book illustrator or graphic novel creator — because of my training, I’m more prepared than most to write and illustrate the same project.

However, it isn’t the easiest thing for me to write fiction, at this point.  I’m trying to think of when the last time was that I read a work of fiction, and I honestly can’t recall what it was, or when it was.  Subsequently it follows that I might forget how to be expressive in the medium of character.

As things go, though; today someone asked me to restring a couple of bracelets.  Relatively speaking, it’s a really simple thing to do.  But I forget sometimes that not everyone can do what I do.  Basically, what I’m looking at is getting some Soft Flex (I might have it already), a couple of spacer beads, and a clasp plus loop.  I know I have the crimp beads already in my supply.

It…was just interesting, I guess, to look at this piece and think to myself that I could probably make higher quality stuff (ducks from thrown furniture)…but I don’t think that my client would disagree.  I guess my stuff falls more into the “handcraft,” category, as versus “fashion.”  I drew away from the idea of making handcrafted jewelry after having gone on a career-orienting website and reading about how handcrafters make poverty wages.

However, the reasoning for this would likely revert back to the argument that mostly women handcraft, and women’s work is valued less than men’s work — not to mention that a lot of the stuff that is out there for sale as handcrafted jewelry is not done to a professional level.  I have seen work done to a professional level, plenty of it.  But for everyone who creates gorgeous original works out of cabochons, beads and Sculpey, there are more who just follow others’ designs.

Then there is the perennial, “but you didn’t make the beads” argument, which begs the counter, “but you didn’t smelt the ore,” argument.

But…yeah.  I have realized, in the meantime, and largely over social media, that what I do — even though my materials are humble — is essentially art.  I’m probably a step below Etsy, right now.  And I’d like to get back into things, but I worry that it’s a waste of time, unless I do totally become an artisan jeweler like I want to.  In that case, I’d be working with glass, metal, stone, and fiber.  I do have something of a vision.  But I need to commit to it if I want to make it into a reality.

I also met an old friend about two weeks ago, who suggested that I make jewelry for money (I’ve made her a couple of sets of earrings as gifts).  My major concern has been over copyright infringement, though until recently it was more of a good-natured desire not to infringe on others’ copyrights.  Now, I realize that I might be the one being copied…which every beader who shows or sells anything is vulnerable to.

The thing about this is that most of the reading I’ve been privy to about copyright infringement is all about how to avoid being copied, not how to avoid copying.  It seems like it would be really easy to do, either intentionally or by accident — and that what one would have to do to avoid it would be to graduate from the training books and start designing on one’s own — which most books don’t even touch on how to do.

(Well, of course; why would I continue to buy pattern books if I could design things myself?)

Guess why I went into Drawing and Painting?  The line between original work and mimesis is much, much clearer here — even though there are established traditions of copying older works in order to learn the craft.  And then there is the possibility of sending an expression through Art, which doesn’t always come through as clearly when one is making bodily adornments with which one wishes to embellish someone’s beauty.

In any case…I’m still looking for my preferred medium.  I’m getting really fairly decent at both drawing and painting (though it’s still usually hard), and painting…is something I wouldn’t have been as prepared for, without beadwork.  Color interactions, and all that.  Painting is something that I’m really enjoying, though the toxins scare me, and I’m really not sure whether I want to become a showing artist.  Actually — no — I do.  But I also want to draw and make jewelry, and I can’t give up writing without feeling like a piece of my life is missing.

Maybe I have something to write about, eh?

1 thought on “Am I still making beadwork? I want to.”

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