Just a quick post here, as I’m running a slight fever and should get some rest.
I did some sketches and writing today. The sketch I was able to ink was just in HB pencil and gone over with my black Riso marker. The felt “medium” nib was what I was looking for, if I was going to be making sketches to reduce in scanning, and wanted bold black lines. But the “fine” felt nib wasn’t all that much finer than the medium one. Alternately, the Micron Graphic 1 makes about the same line width, but the nib seems more fragile, and I don’t know if the color is as rich. I think the final factor in this will be which one withstands the alcohol markers the best, or which one I can reliably buy.
I also did some practice writing in a Faber-Castell Pitt brush pen, with very light pressure. I don’t know how the nibs are going to age, but fresh, they’re pretty good for lettering. Which I suppose is good when you realize that they aren’t what you’re looking for as regards hatching, or at the moment, for things other than lineart. I think I have a black one of these (which is a very dense, warm black), but I’m going to have to look for it. This one would also be good for lineart, as it makes a bold and somewhat variable line.
Other than that…I have a certain older (aged) character whom I’ve isolated my psyche from in the past. This was mainly because I’d become somewhat ill at ease with older characters seeking the attention of younger characters — and this judgment is based on a certain acquaintance I’ve (unfortunately) made in reality. Not to say that judgment is accurate. Today, after the last week of looking over sketches…I realized that being older doesn’t equate to being the …to be succinct, “dirty old man” that I’ve had to deal with in my life. For all I know, this character — the written character, that is — could be someone of my generation who is still alive in the future. Which gives a very different outlook on the concept of being aged.
The person I know IRL was shaped by his culture and time. I heavily suspect him of being racist and sexist (at the least — what I know is that he interacts with people based on what he thinks they are, which is based on their appearance), but this is something which occurs when someone is inundated at a vulnerable age by a racist and sexist and heterosexist environment, and never really has the insight to question the messages they’re receiving from whatever limited quarter they think is worth listening to. An older male who both has more insight (and wider range) than this one and who has been inundated in a different environment may turn out much differently. Which then means that they would conduct themselves differently, and they would have more options when it came to social settings.
Of course, this then leads to worldbuilding questions and alternate history or alternate reality. What specifically came to mind was the level of ease of physical mobility (allowing people to be exposed to other cultures, beyond just the “ooh that’s exotic” titillation that I suspect said acquaintance has felt, as ease of travel leads also to potential ease of immigration) and the level of ease of communication outside of one’s home culture (as via Internet or IRL social settings)…because I think that these are factors which allow a greater level of sophistication in social development as regards dealing with people who are different from oneself. And that’s something my character is really, really going to have to have in order not to become like the guy I know, who I perceive as being attracted to a younger person because of what he psychologically associates with her appearance (and additionally, because he can manipulate her without her full knowledge).
I’m deleting some contents here because they’re controversial and I don’t need angry comments. I’ll keep them for my own records — I know what I’m meaning to reference; it’s probable that the text won’t carry the entire message.
I drew this character again today — and felt as though I could make him anyone again — for the first time in months.