On looking for the binder which held my handsewing samples, I found a number of old notebooks. Two of them were sketchpads, to be more precise — and looking at what was contained therein and in some of the unused pages of my bound notebooks inspired me to work on my 2D art again.
This in turn got me to start reading Scott McCloud’s Making Comics again, and I went out and bought a set of markers today in greyscale (warm tone, not cool). I’ve been using these for a while since I got home today. They’re alcohol markers, but they’re a lot less smelly than the Prismacolors. They’re also a good deal more expensive than the Prismacolors, at list. As it was, it wasn’t so bad — about 50 cents more per marker than the Prismas, and I was able to customize what I was getting (instead of getting three black markers in with the Warm Grey Prismacolor set).
What I’d had before were Trias, but apparently Trias used to be good (which is how I first ran across them) and now a lot of people (including me) have problems with the newly designed markers drying out. I had to throw out three or four markers because they were unusable — to Tria’s credit, I got these a good while ago, but not everyone posting bad reviews with the same problem, had them sitting around for years.
Getting back into illustration…it’s brought up whether I want to write again. Due to factors I won’t get into here, it’s been easier for me recently to think of writing. As it is, I should have a good fund of material should I want to practice adapting prose or poetry to a graphic novel or “comic” format.
But I think that the most interesting thing to happen today was experimenting with one of my brush pens (I think it was a Staedtler Duo), trying to write nicely and more-or-less correctly, using kanji and hiragana. Then I started looking at the Japanese learning books I have here but haven’t been using, and realized what a short jump it was from drawing pictograms and ideograms to drawing pictures.
So I want to get back on the Japanese learning thing. I had a dream the other night about copying someone else’s handwriting to learn new ways of moving my hand in drawing. I do know that my own handwriting really only became very legible after I’d practiced writing in Japanese (not romaji).
Right now I’ve got several things going on: sewing, drawing, Japanese language study, the potential of writing again and possibly writing and/or drawing some short fiction. The religious study is still there, but fainter in import. Then there’s also the knitting and crochet, which ’til now I’ve been pretty dependent on for occupying my time.
I find it interesting how much more engaging drawing is when it isn’t just figures. As Scott McCloud said, don’t think of “backgrounds” as “backgrounds”; they’re your character’s environment. I suppose of course things would seem a little unhealthy if you subtract the character from everything surrounding them, and often the rest of their bodies from their face. ;) I tried adding an open window behind my test character, and the image was suddenly a lot deeper and a lot more interesting.
I’ve still got to practice with the new markers. But one more thing before I go to bed:
I really need to get some more of those Tombow markers. They’re freaking wonderful. I love the color. And they’re cheap and readily available. I figure the joy I derive from coloring with them, outweighs archival concerns over whether they’ll still be around in 20-30 years.
They’re just beautiful. I may be going back for more. Right now with the new markers (not Tombow), I’m just working with warm greys. But there’s more I can do, once I get my value studies down right.